Las óleos de todo Edouard Manet

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11375

The Asparagus

1880 6 1/2'' x 8 1/2''(16.5 x 21.5cm)Gift of Sam Salz,1959

2695

The Balcony

1868-69 Musee d'Orsay, Paris

33953

The Balcony

mk87 c.1868/69 Oil on canvas 170x124.5cm Paris,Musee d'Orsay

50818

The Balcony

mk214 1868-9 Oil on canvas 170x125cm

54560

The Balcony

mk235 c.1868/69 Oil on canvas 170x124.5cm

21085

The Balcony (mk06)

1868-1869(Salon of 1869) 5' 7'' x 4' 1''(170 x 124.5 cm)Bequest of Gustave Caillebotte,1894 RF 2772

21471

The Balcony (mk09)

c 1868/68 Oil on canvas,170 x 124.5 cm Paris,Musee d'Orsay

89187

The Ball of the Opera

oil on canvas cjr

2684

The Bar at the Folies Bergere

1882 The Courtauld Institute, London

53895

The bar on the Folies-Bergere

mk234 1882 97x130cm

82545

The Battle of the Kearsarge and the Alabama

Date 1864(1864) Medium Oil on canvas Dimensions Deutsch: 134 x 127 cm cjr

86018

The Battle of the Kearsarge and the Alabama

1864(1864) Medium Oil on canvas Dimensions Deutsch: 134 x 127 cm cyf

2708

The Beach at Sainte Adresse

1867 Art Institute of Chicago

45469

the beer waiter

mk186 1878/79 London nationally Gallery

11374

The Beer Waitress

1878-1879 2' 6 1/2'' x 2' 1 1/2''(77.5 x 65 cm)

2679

The Bullfight

1864-65 Frick Collection, New York

31847

The Bullfight

mk76 Painted in 1864 Oil on canvas 18 7/8x42 7/8in

82248

The Bullfight

The Bullfight (1864) by Edouard Manet originally the upper portion of The Incident at the Bullfight Oil on Canvas, The Frick Collection Date 1864(1864) cjr

51958

The Cafe Concert

mk222 1878 46x38cm

59738

The Cafe Concert

The Cafe Concert, 1878

48689

The Concert

mk191 1862 Oil on canvas 76x118cm

54572

The Departure of the folkestone Boat

mk235 1869 Oil on canvas

11379

The Escape of Rochefort

1880-1881 2' 7 1/2'' x 2' 4 3/4''(80 x 73 cm)

50018

The Execution of Maximillian

mk206 about 1867-8 Oil on canvas 193x284cm

42768

The execution of Emperor Maximiliaan

MK169 1867 oil Paint on cloth 252x305cm

54561

The Execution of Emperor Maximilian

mk235 1867 Oil on canvas 19x16cm

54562

The Execution of Emperor Maximilian

mk235 1868 Oil on canvas 252x305cm

59741

The Execution of Emperor Maximilian,

The Execution of Emperor Maximilian, 1867. Museum of Fine Arts, Boston. The least finished of three large canvases devoted to the execution.

30322

The Execution of Maximilian

nn05 1868 The Wrong uniform exposes the true culprit

43343

The Execution of Maximilian

mk170 1867-1868 Oil on canvas 193x284cm

56265

the execution of maximilian

mk247 1867 to 68 ,oil on canvas,99x25 in,252x305 cm,staatliche kunsthalle,baden baden,germany

2686

The Execution of the Emperor Maximillion

1867

2662

The Fifer

1866 Musee d'Orsay, Paris

54545

The Fifer

mk235 1866 Oil on canvas

45482

The Fruhstuck in the free

mk186 1863 Paris muse d' Orsay

45925

The horseman

nj178 1875 oils on linen 90x116cm

2692

The Horsewoman

1875 Museum of Art, Sao Paolo

2688

The House at Rueil

1882 National Gallery of Victoria, Melbourne

11376

The Lemon

1880 5 1/2'' x 8 3/4''(14 x 22cm) Bequest of Count Isaac de Camondo,1911

2707

The Luncheon in the Studio

1869 Neue Staatsgalerie, Munich

59733

The Luncheon on the Grass

The Luncheon on the Grass (Le d??jeuner sur l'herbe), 1863

2685

The Model for the Folies Bergere Bar

38803

The Monet Family in the Garden

mk141 1874 New York

2664

The Old Musician

1862 National Gallery of Art, Washington DC

81371

The old Musician

1862 Medium English: Oil on canvas cjr

85614

The old Musician

1862 Medium English: Oil on canvas cyf

2663

The Old Musician aa

1862 National Gallery of Art, Washington DC

54539

The Races at Longchamp

mk235 c.1865-1867 Oil on canvas

83753

The Ragpicker

Date 1869(1869) Medium Oil on canvas Dimensions 195 x 130 cm (76.8 x 51.2 in) cjr

87670

The Ragpicker

1869(1869) Medium Oil on canvas Dimensions 195 x 130 cm (76.8 x 51.2 in) cyf

84369

The Railway

Date 1873(1873) Medium English: Oil on canvas cjr

88227

The Railway

1873(1873) Medium English: Oil on canvas cyf

54593

The Railway,Gare Saint-Lazare

mk235 c.1872/73 Oil on canvas 92.7x114.3cm

54554

The Regatta at Saomte-Adress

mk235 1867 Oil on canvas

30325

The role of the Mexicans

nn05

51962

The Singer Faure as Hamlet

mk222 1877 196x130cm

93024

The Spanish singer

1860(1860) Medium oil on canvas Dimensions 147.3 X 114.3 cm (58 X 45 in) cjr

2703

The Waitress

1879

54016

The Waitress

mk235 1878 77.5x65cm Oil on canvas

54018

The Waitress

mk235 1879 97.1x77.5cm Oil on canvas

88223

Toter Torero

1864-1865 Medium Oil on canvas Dimensions 76 x 153,3 cm cjr

84927

Toter Uhu

Date 1881(1881) Medium Oil on canvas Dimensions 97 x 64 cm (38.2 x 25.2 in) cjr

25556

Trois Tetes de femmes (mk40)

1880 Aquarelle 19.2 x 12 cm Musee des Beaux-Arts,Dijon

82220

Un bal a l'Opera

1873 Medium Oil on canvas Dimensions 59.1 x 72.5 cm (23.3 x 28.5 in) cjr

96936

Un bal a lOpera

1873 Medium oil on canvas cyf

25558

Un coin du jardin de Bellevue (mk40)

1880 Huile sur toile 92 x 70 cm Fondation Collection Emil G Buhrle,Zurich

87025

Un Lievre

Date 1881(1881) Medium Oil on canvas Dimensions 94,5 x 58,4 cm cjr

91748

Un Lievre

1881(1881) Medium oil on canvas Dimensions 94,5 x 58,4 cm cyf

89433

Un moine en priere

c. 1864-65 Medium oil on canvas Dimensions 146 x 114 cm cyf

11324

Vase of Peonies on a Pedestal

1864 3' 1'' x 2' 3 1/2''(93.2 x 70 cm ) Gift of Etienne Moreau-Nelation,1906

25450

Vase of Peonise on a Pedestal (mk40)

1864 3' 1'' x 2'3 1/2''(93.2 x 70 cm) Gift of Etienne Moreau-Nelation,1906

25552

Vive la Republique (mk40)

1880 Aquarelle 15 x 11 cm Collection particuliere Suisse

86851

Vue prise pres de la Place Clichy

1878(1878) Medium Oil on canvas Dimensions 40.5 x 24.2 cm (15.9 x 9.5 in) cyf

88139

Weiblicher Akt

1872(1872) Medium Oil on canvas Dimensions 60 x 49 cm cjr

56960

Welfare - Bergeron Seoul Bar

mk250 Year in 1882, Oil on canvas. London Courtauld Gallery.

38621

White Lilac

mk138 c.1882 Oil on canvas 54x42cm

86414

Woman among the Plants

oil on canvas Dimensions 151 x 116 cm cyf

2698

Woman in a Tub

1878-79 Musee d'Orsay, Paris

86404

Woman walking in the Garden

1881 Medium English: oil on canvas Dimensions 110 x 72 cm cyf

11395

Woman with Fans(Nina de Callias)

1873 3\' 8 3/4\'\' x 5\' 5 1/2\'\'(113.5 x 166.5 cm)Gift of Mr.and Mrs.Ernest Rouart,1930

54546

Women in the Garden

mk235 1866 Oil on c anvas 255x205cm

83605

Young Lady in

1866 Date Medium Oil on canvas cyf

72954

Young Woman Reclining in Spanish Costume

"Young Woman Reclining in Spanish Costume," oil on canvas, by the French artist Édouard Manet. 37 5/16 in. x 44 3/4 in. Yale University Art Gallery, bequest of Stephen Carlton Clark, B.A. 1903. Courtesy of Yale University, New Haven, Conn cjr

74045

Young Woman Reclining in Spanish Costume

Date 1862-1863 Medium Oil on canvas Dimensions 37 5/16 in. x 44 3/4 in. cyf

88625

Zuschauerinnen beim Rennen

1864-1865 Medium Oil on canvas Dimensions 42 x 32 cm cjr

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Edouard Manet

French Realist/Impressionist Painter, 1832-1883 The roughly painted style and photographic lighting in these works was seen as specifically modern, and as a challenge to the Renaissance works Manet copied or used as source material. His work is considered 'early modern', partially because of the black outlining of figures, which draws attention to the surface of the picture plane and the material quality of paint. He became friends with the Impressionists Edgar Degas, Claude Monet, Pierre-Auguste Renoir, Alfred Sisley, Paul Cezanne, and Camille Pissarro, through another painter, Berthe Morisot, who was a member of the group and drew him into their activities. The grand niece of the painter Jean-Honor?? Fragonard, Morisot's paintings first had been accepted in the Salon de Paris in 1864 and she continued to show in the salon for ten years. Manet became the friend and colleague of Berthe Morisot in 1868. She is credited with convincing Manet to attempt plein air painting, which she had been practicing since she had been introduced to it by another friend of hers, Camille Corot. They had a reciprocating relationship and Manet incorporated some of her techniques into his paintings. In 1874, she became his sister-in-law when she married his brother, Eugene. Self-portrait with palette, 1879Unlike the core Impressionist group, Manet maintained that modern artists should seek to exhibit at the Paris Salon rather than abandon it in favor of independent exhibitions. Nevertheless, when Manet was excluded from the International exhibition of 1867, he set up his own exhibition. His mother worried that he would waste all his inheritance on this project, which was enormously expensive. While the exhibition earned poor reviews from the major critics, it also provided his first contacts with several future Impressionist painters, including Degas. Although his own work influenced and anticipated the Impressionist style, he resisted involvement in Impressionist exhibitions, partly because he did not wish to be seen as the representative of a group identity, and partly because he preferred to exhibit at the Salon. Eva Gonzal??s was his only formal student. He was influenced by the Impressionists, especially Monet and Morisot. Their influence is seen in Manet's use of lighter colors, but he retained his distinctive use of black, uncharacteristic of Impressionist painting. He painted many outdoor (plein air) pieces, but always returned to what he considered the serious work of the studio. Manet enjoyed a close friendship with composer Emmanuel Chabrier, painting two portraits of him; the musician owned 14 of Manet's paintings and dedicated his Impromptu to Manet's wife. Throughout his life, although resisted by art critics, Manet could number as his champions Emile Zola, who supported him publicly in the press, Stephane Mallarme, and Charles Baudelaire, who challenged him to depict life as it was. Manet, in turn, drew or painted each of them.

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